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Karl contributes to Talk Talk book
http://cathedralsofsound.blogspot.co...talk-then.html
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#2
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Re: Karl contributes to Talk Talk book
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mentioned it earlier.. nice to see it getting some bigger support: =============================== http://www.borndirty.org/forums/show...90&postcount=8 later -1 |
#3
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Re: Karl contributes to Talk Talk book
well, a year later, i found out the book came out.
ok, now to get it.: ============== http://spiritoftalktalk.com/ does anyone have it, looks awesome.. ![]() of course the deluxe version is sold out. the shipping to the US is crazy. wonder if i could have it shipped to someone in the UK, and then resend it to the US. depends on how much it weighs. later -1 |
#4
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Re: Karl contributes to Talk Talk book
On a related note, I found the original pressing of Colour of Spring today, still in shrinkwrap but opened. Already bought the japanese repress earlier this year but this is nice to have as well.
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#7
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Re: Karl contributes to Talk Talk book
got the book today.
it is beyond incredible. high quality paper, tons of pictures, great text. worth every penny. here is karls contribution. ![]() karl hyde- musician with underworld i've a vivid memory of hearing spirt of eden for the first time. it was in a rented holden, driving through the australian outback with the windows down and a hot summer wind in our faces, where we cracked open the jiffy bag from england. out dropped a cassette. the accompanying note said:"i meant something like this. have a great tour." cassette slotted into the stereo, we lay back in our seats and listened. it was a radical departure by a band i previously thought of as being 'good at pop'. the impact was kind of terminal, the last straw. we'd just finished a record. something misguided and tepid as usual, and had left england with our manager's unsettling advice: "you should make a radical album." back home, acid house was pumping from pirate radio stations all over london, illegal raves were the new ultra-punk, and here we were heading in the opposite direction, peddling clapped-out grooves. thwack! a priority airmail smack in the teeth increased the doom on an already gloomy tour. a fresh breath, a break from the constraints of tradition, nothing about the album paid lip service to the great god 'pop'. it was a film score, a soundscape, an installation, stripped-down, interleaved series of loose connections, shorthand fragments, half-heard snatches of words and melodies carried on the wind. and when you looked for a structure, there was nothing there. brilliant! ================ later -1 |
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